"SCHEMA: A Journey Through Traditional Patterns and Imagery" opens on October 2, 2015.
Tuesday, August 25, 2015
Thursday, August 20, 2015
My travels through Asia last year opened another door for me; I have been inspired by different patterns used traditionally throughout ceramics, fabrics, wood, metal, and the arts in general. Japanese tattoos have a rich amount of patterns and imagery as well, using very traditional symbolism and decorations. I've been collecting tattoo designs, pairing them with the patterns I've collected throughout my travels, and am painting them onto my ceramic pieces made during my residency in Jingdezhen, China.
Tuesday, August 18, 2015
Although I have been working in my home studio since November last year, I haven't had the time yet to get everything out of the boxes and organize the tools and supplies properly. These boxes were packed at the Kansas City Art Institute when I graduated in 2014...
I am still missing a lot of my throwing tools and that just shows how long I've not been throwing. I have mainly been working with plaster and casting slip, and most of my time right now is filled with china-painting the vases, plates, and tea sets I brought back from my travels to Asia last year.
|The wheel area - |
I did sit down yesterday to throw some cups on the wheel -
I still got it, no worries, it's like riding a bike!
|My shelving -|
the family we rent the space from designed everything for
their painting studio.
We just added some shelving to accommodate our needs
to store shorter stuff.
|The china-painting area -|
I like to stand up when I work.
It is much easier on my back!
This has just the right height to stand all day
and not get a backache!
|Oh, all the stuff I have...|
Mostly molds I made during my residencies in
Hungary and China, supplies I used during
my Undergrad years at KCAI, and tools...
... loads of tools...
Monday, August 17, 2015
I've been listing a couple of items each day to my etsy shop [melaniesherman.etsy.com]: Today's add were two elegant and minimalist white pendant necklaces I made during my time in Hungary:
|Porcelain necklace, white with silver chain |
1 1/4" x 1 1/4"
Chain: Silver, 19"
|Porcelain necklace, white with silver chain Hungarian Porcelain|
1 1/4" x 1 1/4"Chain: Silver, 19"
I'm also listing these white porcelain necklaces with gold luster and 15" gold snake chain necklace:
|Porcelain necklace, white with gold|
1" x 3/4"
Chain: Gold. snake, 15"
|Porcelain necklace, white with gold|
1" x 3/4"
Chain: Gold. snake, 15"
An elegant way to wear porcelain! These porcelain "tokens" were decorated with a gold luster and then designed into rings, pendants, brooches, and earrings. I make these tokens on my travels around the globe, with local materials, and transform them into a wearable piece of art. These jewelry pieces are assembled by me here in the US in my ceramics studio and every piece is unique. This beautiful porcelain comes from Hungary, where I worked for 6 weeks in 2015. It is one of the whitest, most translucent porcelain.
Friday, August 14, 2015
I took the sculpture workshop with artist collective Studio Nong at Belger Crane Yard Studios here in KCMO. This was my first time sculpting and working with a red clay body, and I enjoyed all the pointers Misty Gamble, Jessie Fisher and Bangmin Nong could give me. Although my sculpture looked nothing like our model Tommy Frank, it was super exciting to work so contrarily to how I usually operate. No porcelain and metal nibs for precision, just red iron stained hands, a wooden tool, and an eye for facial planes and contours.
Studio Nong is an artists collective and international residency program focused on figurative clay sculpture and the fusion on eastern and western artistic practice. Made up of eight artists and educators from the United States and southern China, the Collective's current residency program takes place at the Memphis College of Art and the Kansas City Art Institut.
The work they made during this residency will be in a show called "SunSet | SunRise: Work from Studio Nong" and will be up at Belger Crane Yard Studios here in KCMO from August 28th until September 18th, 2015. I toured their studio at the Kansas City Art Institute yesterday and their sculptures look AMAZING!!
Wednesday, November 28, 2012
Fall 2012 Juried Ceramics Exhibition
Kansas City Art Institute
Stern Ceramics Building
4410 Warwich Boulevard
Kansas City, MO
Friday, November 30th
Saturday, December 1st 10am - 5pm
Sunday, December 2nd 12pm - 5pm
Sunday, October 21, 2012
Friday, October 19, 2012
Wednesday, October 17, 2012
Tuesday, October 16, 2012
Sunday, October 14, 2012
Studio space at the Kansas City Art Institute (KCAI) is sparse these days. Although our Junior group is small, we've had 28 Sophomores come in this semester, and nobody has dropped... yet... I am surprised, as usual, how much stuff I have and how much stuff I use, and how little space I have to store all of this stuff! So, a big clean-up was in order for midterm critique, I moved my wheel so I can utilize my entire work space in front of the window, organized my tools and moved all the other stuff into my cubby(ies).
|My wheel and work space. The lower two shelves are mine as well.|
|My image sources - pure inspiration! Plus some much needed workspace. |
Thank goodness I have awesome studio mates who share some of their space :)
Kudos to Corey and Joey!
|Some of my many tools in these awesome soda crates that I found for |
cheap at an antique mall here in KCMO.
Sunday, October 7, 2012
It's almost midterm time here at the Kansas City Art Institute -- our first midterm as Juniors!! I've been working pretty hard and long hours on putting together a place setting. We've had so many weeks of throwing bowls and plates, reviewing, refining, reproducing and we are still only at midterms. But how much fun it is to just play around with different forms and designs and let your ideas guide you through the process.
I started out throwing a bunch of little bowls and trimming the bottoms round; I then started to manipulate the rims, cutting something off here, re-attaching it there, shaping the bowls into ovals.
I added slabs and put an upholstery pattern on it, attached a foot off-center, took that off again, added a rim, added more detail, and finally came up with something that resembles a pillow. I stuck with this idea and am now in the process of developing this "pillow"-idea further and integrating it into a place set.
For my midterm critique I am going to have two sets; both are not fully developed yet, but the direction I am taking with this is pretty clear. On my source imagery blog I have several references to upholstery, and fabrics, as well as frames, borders, and rims. I'm still working on surface decoration for the lower plate, not sure yet if it will be therma-faxing, rice paper decals or iron-oxide decals yet. Maybe I can figure out a nice layering effect with a few of these techniques.
|Follow me on Instagram: melancholie|
I'm still struggling with how these sets will be glazed, but the testing will begin after midterms. I'm thinking bare, beautiful white porcelain, black underglaze, and gold luster... Wish me luck :)
Friday, June 29, 2012
I am taking another wood and soda firing class at CLC this summer. It is good to be back from Kansas City (although I miss it already!) and work, load, and fire with some familiar faces. Our first firing in the CLC train kiln was a good one and we are hoping to get another three firings in until the end of July; including a reduction cooling and a tumble stack.
|Starting the first CLC train kiln for the summer; Ben Bates|
|First wood firing; I had some re-fires (4 to the left), one rice-paper-decal trial, |
and one plain, oribe over shino cup; all turned out awesome.
|My favorite is this Matt Kelleher cup, which he made during the Penland |
workshop with Dan Anderson. Dan trimmed and glazed it and we
fired it in the salt kiln. He asked me to bring it to CLC
and re-fire it. I re-glazed it and it is beautiful!
|Opening the first (EVER!!) soda kiln; virgin firing, so to speak; Ben Bates, Brandon Schnur.|
|I had nothing but re-fires in the soda. Not as great as the wood firing, I think, |
but I got two most awesome cups out of this one.
We are now working to fill our next kilns; one wood, one soda. We are firing the week after the 4th of July. I've been working on some jars with lids and cups.